Kevin Smith keeps talking about retirement, but then adds another film and another film before he does so. Clerks 3 was supposed to be his final movie, but then he added in Tusk while he got funding sorted, and now he’s planning another, Helena Handbag.

The movie, like Tusk, is based on a story from one of his SModcast episodes. In a Facebook post, Smith gave us a look at a photo of the script’s title page, which you can see below, along with quite a few details about the film. It’s early days though, as he’s only just started writing the script. You can read about it below.

Here’s what Smith had to say: ‘FOR ALL THOSE WHO TRIED TO #BeatChristzilla

‘The non-buried lead: I’m writing this new flick based on another episode of SModcast from 2008. Also: I talk about my future in filmmaking. If you feel brevity is the soul of wit, you can stop reading now. If you like to read, here we go–>

‘On the most recent episode of SModcast, I talked about my new mantra in regards to filmmaking: from now until I drop dead, I’m only ever gonna make a flick that only I would/could ever make. Jersey Girl, Zack and Miri Make a Porno, Cop Out – while I love them all, these are movies anybody could make. Like ’em or hate ’em, nobody else but me could’ve (or would’ve) ever made Clerks. Or Chasing Amy. Or Dogma. Or Red State. Or Clerks II. Or Mallrats. Or Jay and Silent Bob Strike Back.

‘I let my view askew get standardized for awhile there – so much so that I was happy to walk away from it all for three years and do other shit. But after conceiving and shooting Tusk in less than 6 months (with the help of a shit ton of amazing professionals and a budget smaller than that of Red State), I realized that film isn’t in my blood… MY films are in my blood. And some of ’em are still in there, so I better get ’em out! And now that I’ve spent the last three years clothing/feeding/housing me and my family without a dime of movie money, I know that I don’t NEED film to pay my bills anymore. So I can make a movie when I feel like it, and if I’ve got nothing to say in a screenplay, I can just fuck off for awhile and do other shit until I do have a movie in me. Like I think I do right now. January will conclude with me and my Tusketeers getting together again – this time in Los Angeles, to shoot all the Guy Lapointe scenes we still owe for Tusk. Our composer Chris Drake (the genius behind The Dark Knight Returns animated feature score) is currently finding the music of Tusk. That means there’s not much for me to do until the end of the month. I’ll be recording podcasts and shooting SPOILERS every week (see it in Canada on Comedy every Friday at 9:30; U.S. info coming in January), but when I’m not doing that, I’ve decided to push a little whimsy again – like I did with #WalrusYes. The idea is to, once again, take an episode of SModcast and turn it into a movie. It’s worked out quite nicely with Tusk (thanks largely to the cast, the crew and the good folks at Demarest and at a24, who’ll be releasing the flick this fall), so I wanna see if I can do it again. Granted, this time the plot of the movie concerns mankind teaming up with Hell to save existence from extinction at the hands of a Rapturing giant Jesus – which means the budget has to be LOW, because NOBODY’S gonna wanna make that movie. At all. And I know this going in, so I won’t be heartbroken if it never goes beyond the script.

‘But… if the script is funny enough? Who knows? That walrus movie seemed pretty daffy and far-fetched until we were standing on the Tusk set bringing that shit to life four months and change after first making it up in episode 259 of SModcast. And right now, the aim is to shoot Clerks III this May – so this Helena Handbag picture would still be a ways off anyway. But why sit around commenting on other people’s lives and art on the internet when I can try to make some NEW art instead? As for the title: If you heard the podcast, you know (producer) Scott (Mosier) suggested CHRISTZILLA in place of HOLY CHRIST! – the title of the fake movie in the original podcast. I asked the audience to offer up their suggestions at #BeatChristzilla and they were all really fun! But I’m going with the title Helena Handbag – which comes directly from the plot of the flick (it’s kind of a nod to David Lynch’s unproduced One Saliva Bubble screenplay, too – which was also about the end of the world and also carried a title that didn’t really prepare you for what the movie was about).

‘So I’m off to write Helena Handbag. I’m gonna end this by urging you all to do something similar to what I’m doing: put a whimsy on wheels today. No pressure and it doesn’t have to result in anything: it is, after all, just a whimsy. Tend to it in your spare time but really give it care and nurture that fucker – just in case it actually turns into something. And it can turn into something, no matter who you are or how much money you have: I burned my film career to the ground, went and did other shit for three years (mostly for free), started from scratch again from a salted earth – and (unless I somehow fuck up the forthcoming Lapointe scenes) I wound up making the best flick I’ve ever made with Tusk. So go give it a shot, kids: push a little whimsy yourselves. Unless that whimsy involves hurting people. Never kill anything unless it’s trying to kill you. Today, you can waste lots of time posting your thoughts about what other people are doing/saying in life – or you can use that time more wisely, to create something from nothing that’s all yours. One path is easier, but the other path is way more fun…’