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Big Gay Picture Show

Taking a look at the world of film through gay eyes - news, reviews, trailers, gay film, queer cinema and more

Taking a look at the world of film through gay eyes - news, reviews, trailers, gay film, queer cinema & more

Iris Prize LGBT Film Festival Announces Event Celebrating Black Queer Oscar Nominee Dee Rees

February 22, 2018 By Tim Isaac Leave a Comment

Director Dee Rees filming Colonial Gods

Back in 2007, the very first winner of the prestigious Iris Prize LGBT short film award was Dee Rees, for her excellent Pariah. Since then she’s gone on to make a feature length version of that short, and directed Quuen Latifah in a biopic of singer Bessie Smith. This year she became the first queer black woman to be nominated for a screenplay Oscar, for the much praised Mudbaound, and is already planning the Gloria Steinem biopic, An Uncivil War, with Carey Mulligan.

Now Iris has revealed plan for an event to celebrate Rees’ Oscar recognition of Dee Rees. Alongside Rees and co-writer Virgil Williams’ Best Adapted Screenplay nomination, Mudbound is also up for Best Performance by an Actress in a Supporting Role for, Best Achievement in Cinematography and Best Achievement in Music Written for Motion Pictures.

After winning the inaugural Iris Prize in 2007, Rees returnes to Cardiff to take her place on the Iris Prize jury the following year. In 2009, she made another visit to Wales where she made the short film Colonial Gods, the first Iris Production produced with the Iris Prize.

The planned event – Iris Celebrates Dee Rees – will take place at the Atrium, University of South Wales, where guests will have a chance to send their best wishes to Dee Rees at a special screening of her Iris Production, Colonial Gods, as well as the documentary An American Eye on Butetown, which follows the making of the film back in 2009.

Andrew Pierce, Iris Prize Chair, commented, “I’m immensely proud of everything Dee has achieved since her win at Iris back in 2007. I was a member of the first Iris jury and to be honest we were a little annoyed with Dee at the time. The simple idea for Iris was to create an LGBT short film competition. Dee’s competing short film however was so good, it became obvious she would win! So, the element of surprise was lost when she was announced the winner!”

“For those who have followed Dee Rees since those early days in both her and Iris’ careers it will come as no surprise that she is now being honoured with the highest accolades in the world of filmmaking. Her feature Mudbound is nominated in 4 categories at the 2018 Academy Awards – including a personal nomination for Dee in Best Adapted Screenplay alongside co-writer Virgil Williams.”

Economy Secretary Ken Skates said, “Huge congratulations to Dee Rees and the production team on Mudbound’s four Academy Award nominations. This really is a huge achievement and we are incredibly proud of Dee and her ongoing links with Wales. I wish Dee every success at this year’s awards and look forward to seeing more of her work produced here in Wales.”

The Iris Prize – Cardiff’s International LGBT Short Film Prize is supported by The Michael Bishop Foundation and at £30,000 continues to be the only LGBT short film prize in the world which allows the winner to make a new film. In 2016 and 2017 Iris was identified as one of the top 50 film festivals in the world by Movie Maker Magazine and promoted by BAFTA to ‘A’ list festival status alongside Cannes and Sundance by officially being recognised as a qualifying festival for the BAFTA awards.

The Iris Celebrates Dee Rees event on Sunday 4 March at 5pm is supported by University of South Wales and the Welsh Government.

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DIRECTORS: Dee Rees  

BFI Flare: London LGBTQ+ Film Festival Announces Its Full 2018 Programme

February 21, 2018 By Tim Isaac Leave a Comment

Rupert Everett’s The Happy Prince will screen at BFI Flare 2018

BFI Flare: London LGBTQ+ Film Festival unveiled its 32nd edition’s full programme tonight. One of the most significant and long-standing film events in the world’s LGBTQ+ calendar, BFI Flare will present over 50 features, more than 90 shorts and a wide range of special events, guest appearances, discussions, workshops, club nights and much more. Tickets go on sale via bfi.org.uk/flare to BFI Patrons, Champions and Members from 26th February and General Public on 5th March. The festival itself takes place March 21st to April 1st 2018.

Tricia Tuttle, Artistic Director, BFI Festivals, comments, “Queer cinema has never offered more richly complex and diverse characters and stories than we have seen in the last few years and that shines through in the quality of Festival that the programme team have put together. This diversity has also inspired us to update our Festival name to BFI Flare: London LGBTQ+ Film Festival. That Q+ reflects shifts in cultural conversations around identity, but also the Festival’s own ethos as welcoming and inclusive.”

Last week it was revealed that the festival will open with Tali Shalom-Ezer’s My Days Of Mercy, starring Ellen Page (Juno, Inception, Freeheld) and Kate Mara (House Of Cards, The Martian). It will then close with the European Premiere of Steve McLean’s stylish and sexy Postcards From London.

It’s now been announced that the Centrepiece Screening of the Festival is the World Premiere of UK feature documentary, A Deal with the Universe, the debut from former BFI Flare programmer Jason Barker, which tells the inspiring tale of a very different kind of pregnancy. The Special Presentation is Robin Campillo’s modern queer classic, 120 BPM, a rousing, heart-breaking account of AIDS activist group ACT-UP: Paris. The Special Event in collaboration with The Art Machine is Rise: QTIPOC Representation and Visibility in Film is a special one-day series of talks and workshops, providing a platform to examine the importance of inclusion and the stories of queer people of colour, both on and off the screen.

A number of themes and highlights emerge including a showcase of works by and about queer D/deaf and disabled people:

  • The World Premiere of Laura Marie Wayne’s heart-breaking documentary Love, Scott is a sensitive and moving portrait of a young man left paralysed after a homophobic attack. The film charts the impact of the attack over the year, following his life changing ordeal.
  • Stumped (dir. Robin Berghaus) is an extraordinary documentary which tells the story of comedian Will Lautzenheiser, a young film professor who prevails over the loss of his limbs with humour and revolutionary medicine.
  • Pulse (dir. Stevie Cruz-Martin) features a young disabled man embarking on a radical transition.
  • Fighters of Demons, Makers of Cakes is an unconventional and fantastical collection of shorts curated by Sandra Alland, which examines LGBTQ+ disabled, neurodiversity, chronically ill and/or D/deaf lives.

Filmmakers explore the diversity of LGBTQ+ families in a number of films in the Festival:

  • Jason Barker’s heartfelt and documentary A Deal with the Universe is a very personal chronicle of becoming a parent. Drawing on the filmed diaries made over the last ten years that document both Jason’s gender transition as well has his parental journey. This film is ground-breaking in terms of its intimate insights into gender identity and new parenthood.
  • Paternal Rites (dir. Jules Rosskam) questions how to approach an abusive past in this contemplative mix of home movies, collages and interviews.
  • Belgian documentary F.A.M.I.L.Y investigates the concept of family through the children of same-sex couples.
  • Shorts programme Trans Family Matters is a broad spectrum of stories, encompassing challenges, triumphs and personal breakthroughs.

HIV/AIDS has been a central concern of queer filmmakers since the 1980’s. The programme reflects on the rich history of AIDS on screen in a number of ways:

  • Multi award-winning Robin Campillo’s feature film 120 BPM is an extraordinary account of ACT-UP Paris in the 1990’s.
  • Mediations in an Emergency is a free access, all day event reflecting on the representation of HIV/AIDS on screen. Highlights will include clips of little seen material from the BFI archive, a look at awareness posters from the V&A.
  • BFI Flare Programmer Brian Robinson gives an illustrated talk on Cinema of Aids featuring 30 years of the virus on screen and we will be screening classic AIDS films Buddies, Silverlake Life: The View from Here and A Home at the End of the World.2018 sees the welcome return of BFI NETWORK @ Flare Mentorships in partnership with BAFTA. The programme offers UK-based LGBTQ+-identified emerging filmmakers strong professional networks and better understanding of the market. Now in their 4th year, the Mentorships have connected filmmakers to the heart of the industry – with 2017 Mentors including Sundance Grand Prize-winner, Desiree Akhavan, Russell T Davies and Tom Harper. And we were thrilled to see participant Harry Lighton recognised by BAFTA at the 2018 Awards with a nomination for his short film, Wren Boys. The 2018 participants will be announced at this year’s Festival.

Alongside this, the Festival’s Industry Programme returns, once again offering a range of panels, workshops and masterclasses exploring issues in LGBTQ+ film production, distribution and exhibition from development and crowdfunding to casting and exhibiting internationally, alongside in-conversation discussions with individuals who have made a major contribution to LGBTQ+ representation in the mainstream, and examinations of UK and US television landscapes.

The Festival is further divided into three sections: HEARTS, BODIES AND MINDS. Highlights in the programme include:

HEARTS include films about love, romance and friendship. The Happy Prince, written, directed and starring Rupert Everett as Oscar Wilde. The heartfelt and passionate biopic also stars Colin Firth and Emily Watson. Love, Simon (dir. Greg Berlanti) is a warm and witty coming out drama which tells the story of a closeted high-schooler who fears his best-kept secret might be revealed. The Festival’s Love, Simon premiere is supported by SKY. Mario (dir. Marcel Gisler) is a story of love and heartbreak on and off the pitch for two young football players. Close-Knit (dir, Naoko Ogigami) concerns a trans woman who realises her deep desire for motherhood. Restored to celebrate its 30th anniversary: James Ivory’s Maurice is a sumptuous restoration of the E.M. Forster gay novel. Montana (dir. Limor Shmila) is a compelling story of a young woman confronting old traumas and hidden truths in her childhood home. Becks (dir. Elizabeth Rohrbaugh, Daniel Powell) stars Broadway star Lena Hall as a musician who finds herself back in the hometown she left behind. The Wound (dir. John Trengove) tells the story of a lonely factory worker, who joins the men of his community to initiate a group of teenage boys into manhood. The film won the BFI London Film Festival Sutherland Award.

BODIES include stories of sex, identity and transformation. The diverse selection of films includes: Conversations with Gay Elders, directed by David Weissman (We Were Here) is a fascinating documentary conversation with a gay, older man about his life before and after Stonewall. Trudie Styler’s directorial debut Freak Show is this year’s Interbank LGBT Forum Special Screening and stars Alex Lawther as an unrepentant high school outsider. The Carmilla Movie (dir. Spencer Maybee) is a feature length to the hit web series which follows the exploits of Lesbian vampire Carmilla. The World Premiere of Scottish documentary filmmaker Tristan Aitchison’s Sidney & Friends is a candidly poignant account of intersex and trans life in Kenya. The World Premiere of Tomorrow Never Knows (dir. Adam Sekuler) is a thought provoking documentary about a transgender person who decides to undertake a conscious death, following their Alzheimer’s diagnosis. The World Premiere of Uncle David 2 (dir. Gary Reich) bold and adventurous sequel to Uncle David.

MINDS feature reflections on art, politics and community. The 34th (dir. Linda Cullen, Vanessa Gildea) is a documentary about the battle to extend marriage equality to same sex couples in Ireland. James Crump directs Antonio Lopez 1970: Sex, Fashion & Disco, a compelling and colourful documentary about the bisexual illustrator who forever changed the fashion world. The World Premiere of Southern Pride (dir. Malcolm Ingram) is a timely documentary about two towns in Mississippi organising Pride events in Trump’s America. Dear Fredy (dir. Rubi Gat) is an inspiring documentary about a heroic gay Jewish sportsman who ended up in Auschwitz. Susanne Bartsch: On Top (dir. Anthony&Alex) is a fantastic look at the fashionista and socialite who re-imagined the New York party scene in the 1980’s. The World Premiere of Cherry Grove Stories (dir. Michael Fisher) a documentary about Fire Island, once called the gayest place on earth.

Find out more about the full programme of screening, talks, club nights and more over at the BFI Flare website.

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Queerama Trailer – A century of Gay Rights & desires on film, crafted from the BFI archive

February 21, 2018 By Tim Isaac Leave a Comment

The UK is very lucky to have the British Film Institute, which has long believed that one of the key parts of its mission is to collect moving images that document the breadth of British life. Best of all is that they have collected and commissioned solely what’s popular or morally mainstream, which means that they have been archiving LGBT content even before gay male sex was legalised, and have continued to broaden their collection.

That has now resulted in Queerama, from director Daisy Asquith, which was crafted from the treasure trove that is the BFI National Archive. Queerama travels through a century of gay experience, encompassing persecution and prosecution, injustice, love and desire, identity, secrets, forbidden encounters, sexual liberation and pride. Weaving in the lyrics and music of John Grant, Goldfrapp, and Hercules and Love Affair, Asquith guides us intimately through the relationships, desires, fears and expressions of gay men and women against the backdrop of a century of incredible change.

Queerama offers a wealth of unknown newsreel and amateur film, alongside the sub-textual references scattered throughout 20th century cinema, the sexual liberation of the early 21st century queer and transgender scene, and the gay parenting and marriage campaigns of recent years.

Following numerous festival screenings and a TV broadcast in BBC Four’s Storyville strand, Queerama is released on DVD in the UK by the BFI on 26th March. Extras include a filmed director interview and four short films. You can take a look at the trailer below. [Read more…]

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Russell Tovey Reveals His ‘Completely Unexpected’ Engagement To His Hunky Boyfriend

February 21, 2018 By Tim Isaac Leave a Comment

If any of you out there were hoping that one day Rusell Tovey would be your husband, I’m afraid you’re out of luck. The Quantico and Looking star has revealed he’s now engaged to his boyfriend, Steve Brockman.

Tovey confirmed the news saying Brockman was the one to propose and it took hm by surprise. He adds, “Completely unexpected but very very happy and looking forward to having a proper party to celebrate when back in London.”

The History Boys and Being Human actor has been dating Brockman for some time, although he’s been rather discreet about the relationship while never hiding it. Brockman is a rugby player with the Kings Cross Steelers, and as many sites hve been keen to point out, he also has a bit of an x-rated past as ‘Ryan Stack’ over at Randy Blue.

As the engagement came out of the blue, there’s no news on when they might get married. But right now Tovey says that he’s, “Over the moon.”

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ACTORS: Russell Tovey  

A Fantastic Woman Actress Daniela Vega Announced As The First Ever Openly Trans Oscar Presenter

February 19, 2018 By Tim Isaac Leave a Comment

The 2018 Academy Award ceremony will feature a couple of landmarks for trans representation. Firstly, Yance Ford is the first openly transgender man to be nominated for an Academy Award, and also the first trans director. He’s up for Best Documentary Feature.

And while Daniela Vega didn’t pick up a nomination for her much praised performance in A Fantastic Woman (although the movie is nominated for Best Film Not In The English Language), she will make history as the first trans actress to be an Oscar presenter. Vega was included on the list of people the Academy says will present awards on March 4th, although it hasn’t been revealed which category she will hand out the statuette for.

Vega is part of one of the most diverse lists of presenters ever, with Viola Davis, Margot Robbie, Mahershala Ali, Greta Gerwig, Chadwick Boseman, Tiffany Haddish, Tom Holland, and Laura Dern also amongst those handing out gongs. While the previous year’s Best Actor winner traditionally presents the next year’s Best Actress award, it’s already been announced that Casey Affleck will not do so this year. In the wake of the #metoo movement he has faced renewed scrutiny over allegation of sexual harrassment and assault. While the accusations were first made several years ago, they werelargely ignored by Hollywood until now.

While this year has the first trans director nominee and the first trans Oscar presenter, perhaps surprisingly the first openly trans Oscar nominee was Angela Morley way back in 1974. She was nominated for ‘Best Music, Scoring Original Song Score and/or Adaptation’ for The Little Prince, and again in 1977 for The Slipper and the Rose: The Story of Cinderella. Sadly though, no trans person has ever been nominated in any of the acting categories, and no openly trans person has ever won an Oscar (although visual effects artist Paige Warner and software engineer Abigail Brady have won Scientific and Technical Awards from the Academy).

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ACTORS: Daniela Vega  FILMS: A Fantastic Woman  

Call Me By Your Name Picks Up A BAFTA, But Three Billboards Is The Big Winner

February 18, 2018 By Tim Isaac 2 Comments

Although Call Me By Your Name went into the award season as one of the top contenders, at the larger ceremonies it’s tended to be muscled out by other movies. However, at the BAFTAs it did at least pick up one award, with James Ivory nabbing Best Adapted Screenplay. It’s the veteran gay filmmaker’s first competitive BAFTA since winning Best Film for Howards End back in 1992.

The big winner of the night was Three Billboards Outside Ebbing, Missouri, which was named Best Film and Outstanding British Film (despite being set in the US, it was made with largely British and Irish money and expertise), with Martin McDonagh winning Original Screenplay, Sam Rockwell taking Supporting Actor, and Frances McDormand receiving the BAFTA for Leading Actress. It cements its position as the frontrunner for the Oscars.

However, while it will probably do well at the Academy Awards and seems an increasingly strong contender for the Best Picture Oscar, it is unusual for getting fairly little love for McDonagh as the Director (he wasn’t even Oscar nominated in that category). As at several other ceremonies, Best Director went elsewhere, with Guillermo Del Toro picking up the gong for The Shape Of Water. That film also saw Alexandre Desplat collect the Original Music award, and it picked up Best Production Design.

Gary Oldman won Leading Actor for Darkest Hour; the film also won the award for Make Up & Hair, while Supporting Actress went to Allison Janney for her role as Tonya Harding’s mother in I, Tonya. Roger Deakins won his fourth BAFTA for Cinematography for Blade Runner 2049, which also won for Special Visual Effects.

Sadly, of the other LGBT nominations, God’s Own Country failed to win Best British Film, and the movie’s star, Josh O’Connor, lost out to Get Out’s Daniel Kaluuya for the EE Rising Star award. On the plus side, I Am Not Your Negro, about gay activist and writer, James Baldwin, won Best Documntary.

Take a look below for the full list of winners. [Read more…]

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FILMS: Call Me By Your Name, The Shape Of Water, The Darkest Hour, Three Billboards Outside Ebbings Missouri  

Black Panther Actress Talks About Why The Rumoured Gay Moments Didn’t Make The Final Cut

February 17, 2018 By Tim Isaac Leave a Comment

Last April it was reported that the Marvel Universe was going to get a bit more gay with Black Panther, with Vanity Fair reporting on a scene they’d viewed which featured a flirtatious exchange between Okuye (Danai Gurira) and Ayo (Florence Kasumba). The magazine suggested the movie would have more gay content than this, and that as in the 2016 comic World of Wakanda, the two would become a couple.

However, Marvel quickly stepped forward to say this wasn’t true and there would be no romance. It appears though that as with Valkryrie’s bisexuality in Thor: Ragnarok, it appears scenes that would have made it more explicit were filmed, but ended up on the cutting room floor.

Vulture asked Kasumba why she thought her character’s sexuality wasn’t touched upon in the final movie. She says, “The thing is, if the makers would have wanted everyone to see the scene, it would have been in the movie. The final result that we’ve seen, there were a few scenes that have been cut. Different scenes, also. They didn’t make it into the movie for certain reasons, and at that point, I have to say: What their reason is, I can’t tell you, because nobody told me about whether it’s in or not.

“But at this point, I personally think people have no idea who T’Challa is, who are the Wakandans, what is Wakanda, where is Wakanda, what is their culture. There are so many important things that had to be told in these two hours. So the focus was on what is so important for T’Challa. What happens after the last movie that we saw. I know all the other scenes that we have also filmed that are not in the movie. People have their reasons why not.”

However, she does hope there will be a chance to explore that side of the character in the future, saying, “I’d love to, at some point. Not now, because it’s too soon. At this point, the focus is somewhere else. I started reading World of Wakandatowards the end of filming and I loved reading the comics. I loved reading about, Okay, how do the Doras become Doras? … That’s the whole reason why we had a boot camp [to train for the movie]: In order to be physically able to move as a unit. That was more important. That’s what I’m saying, right? Who is in love with whom and whatever — that was not important in this movie.”

Black Panther is currently tearing up the box office, with the film expected to take a record-breaking $205 million in its first weekend in the US.

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ACTORS: Florence Kasumba  FILMS: Black Panther  

BFI Flare: London LGBT Film Festival Announces Its Opening & Closing Films

February 15, 2018 By Tim Isaac Leave a Comment

Postcards From London

The full programme for BFI Flare: London LGBT Film Festival is due to be announced soon, but ahead of that, the British Film Institute has announced the opening and closing films of the fest, which runs 21st March to 1st April at BFI Southbank. The UK’s premiere lesbian, gay, bisexual and transgender film fest will open with Tali Shalom-Ezer’s My Days Of Mercy on Wednesday 21st March. Powered by stirring performances from Ellen Page (Juno, Inception, Freeheld) and Kate Mara (House Of Cards, The Martian), Shalom-Ezer’s follow up to Princess is a poignant love story between two women from vastly different backgrounds and opposing political views.

The European Premiere of Steve McLean’s stylish and sexy Postcards From London will feature as the Closing Night Gala. The film tells the story of beautiful teenager Jim (Beach Rats breakout star, Harris Dickinson) who, having travelled from the suburbs, finds himself in Soho where he falls in with a gang of unusual high class male escorts ‘The Raconteurs’. Set in a vibrant, neon-lit, imaginary vision of Soho, this morality tale manages to be both a beautifully shot homage to the spirit of Derek Jarman and a celebration of the homo-erotic in Baroque art.

Michael Blyth, BFI Flare’s Senior Programmer comments, “It’s a pleasure to open this year’s Festival with My Days of Mercy, Tali Shalom-Ezer’s politically resonant and emotionally astute drama. This is bold and provocative filmmaking, featuring captivating performances from both Kate Mara and Ellen Page, the latter of whom continues to show such inspiring commitment to telling LGBT stories on screen”.

Tricia Tuttle, Artistic Director, BFI Festivals adds, “In recent years, the Festival has been developing links between the established film industry and the UK’s very exciting new generation of emerging LGBT identified filmmakers. We’re seeing a true strength in depth of talent in the UK and it’s a real thrill to see this in action with our Closing Night film, Steve McLean’s stylish and witty Postcards from London, a love song to European queer art and culture.”

BFI Flare: London LGBT Film Festival is the UK’s longest running LGBT film event. It began in 1986 as Gay’s Own Pictures. By its 3rd edition it was known as the London Lesbian and Gay Film Festival and since then has grown to become the largest LGBT film event in the UK, and its most anticipated. The Festival changed its name to BFI Flare in 2014 to reflect the increasing diversity of its films, filmmakers and audience. The festival is programmed by Jay Bernard, Michael Blyth, Zorian Clayton, Brian Robinson and Emma Smart, led by Artistic Director, Tricia Tuttle.

The full programme of BFI Flare: London LGBT Film Festival will include 56 feature films, an expanded industry programme, selected films on BFI Player VOD service, a series of special events and archive screenings. fiveFilms4freedom will see Flare offer five LGBT short films for free across the world and promoted through the British Council’s global networks. The full programme will be available on 21st February. The festival runs 21st March – 1st April. You can find more information at: www.bfi.org.uk/Flare

My Days Of Mercy

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ACTORS: Ellen Page, Kate Mara, Harris Dickinson  

Jim Parsons Is Turning Drag Queen For The Legend of Georgia McBride

February 13, 2018 By Tim Isaac Leave a Comment

When he’s not playing Sheldon in The Big Bang Theory, Jim Parsons likes to pick out interesting projects. That’s included Broadway stints in revivals of The Normal Heart and Harvey, as well as appearing in films such as Home and Hidden Figures.

Now he’s planning to let out his inner drag queen, according to Variety. Parsons is set to star in and produce a movie version of Matthew Lopez’s play, The Legend of Georgia McBride. He will ‘play the role of Miss Tracy Mills, a veteran drag queen who coaches a broke young man in the art of performing, transforming him from a washed-up Elvis impersonator to a show-stopping drag queen.’

So far it hasn’t been announced who will play Casey, the young man who needs to channel his inner drag queen.

Lopez’s play premiered in 2014 in Denver, and has also had successful runs in both NYC and LA (and even managed to get a great treview in the New York Times, which described it as ‘stitch-in-your-side funny’). New Regency and Fox 2000 have snapped up the feature film rights, with Parson producing through his That’s Wonderful Productions company.

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ACTORS: Jim Parsons  

The Ice King Trailer – A new documentary looks back at gay Olympic skating champion John Curry

February 12, 2018 By Tim Isaac Leave a Comment

At the moment Canada’s Eric Radford is rightly being applauded for being the first officially ‘out’ person to win a Winter Olympic Gold Medal (in the team figure skating). However, back in 1976 there was John Curry, who became European, World and Olympic champion in the same year he was outed by a German newspaper. I meant that while he may not have opted to for his sexuality to be made public, when he took home the Olympic Gold Medal, he became to first person to do so at a time it was known he was gay.

A new documentary about him, The Ice King, looks at his life and the effect he had on skating.

Here’s the synopsis: ‘From award-winning director James Erskine (Sachin: A Billion Dreams, Battle of the Sexes) and producer Victoria Gregory (Shooting for Socrates, Senna) comes a new feature about the figure skating legend John Curry. Based on the book by Bill Jones and narrated by Freddie Fox, THE ICE KING is a searing documentary of a lost cultural icon, a story of art, sport, sexuality, and rebellion, releasing in cinemas across the UK and Ireland on 23 February 2018.

‘Watch any figure skating and it falls into two camps: before and after John Curry. From what was a macho, technical sport whose judges punished deviation, blossomed – through Curry’s stubborn beauty – ice-dancing. Featuring incredible unseen footage of some of his most remarkable performances, and with access to Curry’s letters and archive interviews, as well as contributions from former British skating champions Robin Cousins and Lorna Brown, legendary coach Christa Fassi, and interviews with his family, friends and collaborators, this is a portrait of the man who turned ice-skating from a dated sport into an exalted art form.

‘After winning gold at the Winter Olympics for a rebelliously balletic routine, audiences and reviewers alike were enthralled by his genius. Following his Olympic triumphs, Curry went on to defy expectations and to continuously redefine ice dancing as a true art form by pursuing his dream of forming his own company, which brought the sport to theatres and new audiences across the world. But Curry’s story is about more than skating. On the night of the Olympics final, Curry became the first openly gay Olympian at a time when homosexuality was barely legal. From bullying and prejudice, to relief in the gay underworld, to his untimely death from AIDS, Curry’s story dovetails with the experiences of a generation.

‘John Curry was no activist, but an artist expressing his authentic self – yet in a world where his existence was taboo, his life was unavoidably political.’ [Read more…]

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