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Big Gay Picture Show

Taking a look at the world of film through gay eyes - news, reviews, trailers, gay film, queer cinema and more

Taking a look at the world of film through gay eyes - news, reviews, trailers, gay film, queer cinema & more

BGPS Blog

The Big Gay Picture Show general blog where we assault your eyes with with we've got to say, from fun film finds and gay shorts to homo silliness and general sexiness

Why Do We Have ‘Gay’ Films?

May 31, 2012 By Lewis Shepherd Leave a Comment


I’ve been wondering recently why when it comes to films do we have ‘gay films’ and not just films?

It is easy to see why some films get lumbered under this specific category of movie; it may be theme, especially if it’s dealing with LGBT issues, the leading actor or actress if they have a large gay following or are gay themselves. The director who may have a history of directing these so called ‘gay films’ or even the studio/distributor – Peccadillo is well known for its LGBT orientated movies.

So yes, there may be films that do cater more towards the gay community, which in itself is a good thing for gay people who sat and watched films for decades before someone was able to depict something well known to them. But it isn’t just gay people who enjoy these movies, the same way that gay people don’t just enjoy ‘gay movies.’ It appears that every movie with the slightest hint of a gay narrative is automatically classed as a gay movie, but you don’t see every other film in Hollywood that concentrates on the relationship between a man and woman classed as a straight movie, do you?

Films such as Brokeback Mountain and My Own Private Idaho are often considered to be LGBT films due to the storylines involved. In those cases it’s the gay romance between the two leading characters in Brokeback Mountain and the presence of gay hustlers within My Own Private Idaho.

But in the equal society that we now supposedly live in, where gay people are treated the same as straight people – with the same rights and the same representation in the media (supposedly, at least) – it is surprising that these films can’t be seen for what they are, before they are lumbered into the LGBT category. After all, Brokeback Mountain is the story of unrequited love that we see all the time in films and My Own Private Idaho is another narrative that we regularly see on the big screen and on television, a story about a young person coming of age. However, due to the presence of gay people within these narratives they automatically become ‘gay films.’ Any other film harbouring these narratives wouldn’t be labeled so quickly.

It feels as though it is about time that Hollywood wasn’t so black and white when it came to their movies – after all we’ve had colour for over 70 years. It’s about time that films like these stopped being categorised by the slight difference in their plotline and were recognised for the films that they truly are.

Writer: Lewis Shepherd

CHECK OUT THESE RELATED ARCHIVES:
FILMS: Brokeback Mountain  

Boys On Film: Spring actor Jonathan Keane talks getting nude

May 31, 2012 By Tim Isaac Leave a Comment


With Boys On Film 8: Cruel Britannia hitting disc last Monday, we’ve been having a bit of a Spring week, which is one of the short films on the disc – and one that’s played festivals such as Sundance and Berlinale. We’ve already chatted to Spring director Hong Khaou and one of the film’s stars, Chris O’Donnell. Now we’ve asked the same questions to the other actor in the piece, Jonathan Keane, who fans of queer cinema will know from Unhappy Birthday and Seafood.

So what did he have to say about getting nude and delving into the world of S&M?

How did you get involved with Spring?
I’d know Hong was thinking of this film for many years and I was always interested in playing a role in it. When I found out he was doing it I auditioned and got the part.

What most struck you about the script when you read it?
What wasn’t said – it’s great when a script hints that so much of what you’ll be playing is going to be discovered while you’re working out the relationship between the characters – what is felt, about movement, looking and touch – that really excited me about Spring.

Is it difficult to portray the sort of intimate power-play in the short, especially with a film crew around?
Yes and no – in some ways it is so performative, it was good to have an audience to play against and to; but in other ways, it such, as you say, an intimate relationship, you have to work hard at blocking out everyone so that you can keep it true.

Did it help that the characters aren’t supposed to know one another, so the journey you’re on as actors is somewhat similar to what’s happening to the characters?
Yes very much, you don’t have preconceptions of who someone is when you don’t know them, apart from what the actor gives you – but you don’t get to know each other as actors, more as characters and that’s very powerful.

Did you look into the world of S&M before you shot the film?
Yes, I chatted to a few men who were into it, to understand what they got out of it, what were their motivations for ‘doing’ S&M – it was a bit alien to me, so it was like learning another language and translating yourself into it.

Did you mind the nudity?
It was surprisingly good fun to get your clothes off in front of lots of people!

Do you just get used to being in your pants all the time after a while?
No, wearing pants was weirder than being naked – especially the tight ones I had to wear for the shoot – you feel exposed in front of people in a pair of pants.

There’s a lot going on in the film that has to be packed into a very short running time. Is it tough making sure you get across what’s going on with each of the characters when you have so little time to express it?
Yes, but we rehearsed the scenes enough to have a sense of what we would be feeling and how we would react, and Hong allowed us to play the scenes many times during filming so what you see is a true snapshot of a lot of time spent finding how and what we were communicating to each other.

Do you have a particular favourite aspect on Spring?
Yes, really love the bit where I’m pushing Chris’s face with my hand, felt very intense and real. Chris was great to work with – very trusting, generous and a gifted, intuitive actor.

Jonathan, you were also in Unhappy Birthday, which was also a fairly small independent project. Do you think it was easier to get that film out to audiences, as it was feature-length, or is there plenty of room for interesting shorts at festivals?
I actually think it’s easier to get shorts out to festivals when they’re good like Spring – more places will show them and they come as part of a gang of shorts that audiences will take a chance on. Features are far more difficult, although Unhappy was great too so it had a good festival outing.

Did you go to any of the festivals where Spring played? Were you pleased with the audience reaction?
Yes I went to Berlin – I loved seeing it on such a big screen – it looked beautiful – the audience seemed to really like it, but it’s always a film that gets a thoughtful, quiet response.

Do you think audiences are missing out, as most people wouldn’t think to spend time searching out and watching short films?
I think short films are THE genre for queer cinema, so much of queer life is about feelings and happenings that we don’t see on screens and we rarely express in life to others or to ourselves – short films can capture those moments beautifully.

Thank you Jonathan.

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Jonathan Keane  

Crush Of The Day: Logan Marshall-Green

May 30, 2012 By Tim Isaac Leave a Comment

Once Prometheus opens on Friday, Logan Marshall-Green’s star is likely to rise. He’s already made a bit of his name for himself thanks to appearing in a season of 24, as well as short lived TV shows like Dark Blue and Traveler. He’s also appeared in film such as Devil, Brooklyn’s Finest and Across The Universe.

The most important thing is that’s he’d rather dashing, of course, with a fair bit of Tom Hardy ruggedness to him. Take a look at a few hot shots of him below. [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Logan Marshall-Green  

Boys On Film: Spring star Chris O’Donnell talks about the S&M tinged short

May 29, 2012 By Tim Isaac Leave a Comment

Boys On Film 8: Cruel Britannia hit DVD yesterday, and amongst its selection of great gay-themed short films is the S&M tinged Spring. We’ve already chatted to director Hong Khaou, and now we’ve been lucky to pick the brain of the short’s star, Chris O’Donnell (no, not that one). It was quite an unusual assignment, as the young actor spends much of Spring in his underpants, standing on his tiptoes.

We found out what that was like.

How did you get involved with Spring?
I saw an audition call on the Equity website and applied for it. After that I met Hong to talk about the script and his ideas and then I took part in a one day workshop/audition along with the other actors, which I was lucky enough to be selected from.

What most struck you about the script when you read it?
I really liked the script and thought it would be a good challenge for me as an actor. I must admit I was a bit apprehensive about the sexual content but after I met Hong and he explained to me how he intended to shoot the film, and the feeling he was going for, my mind was put at ease and I really wanted to be involved.

Is it difficult to portray the sort of intimate power-play in the short, especially with a film crew around?
Not at all. I think it made it easier having the crew around because during the shoot you get to know them all and realise everyone wants to make the best film possible, which creates an extremely supportive environment.

Did it help that the characters aren’t supposed to know one another, so the journey you’re on as actors is somewhat similar to what’s happening to the characters?
Not in this situation because obviously I’m nothing like Joe, Jonathan [Keane] is nothing like Tim, and the reason we’ve met one another is completely different to the characters. As actors you’ve been put together by the director and are working with each other to create a film. Whereas in Joe and Tim’s case they meet through the internet in entirely different circumstances and are both after very different things.

Did you look into the world of S&M before you shot the film?
No. This was an occasion where I could use my lack of knowledge towards the character, as its Joe’s first time.

Did you mind the nudity?
I only had to strip to my pants, so it was easier for me.

Do you just get used to being in your pants all the time after a while?
I wouldn’t say you get used to it but once the first couple of minutes are out the way you certainly feel more at ease.

Chris, it looked like it must have been particularly difficult for you. How long did you have to spend on your tiptoes? Was it painful?
It looks a lot worse in the film that it actually was. Luckily we shot from lots of different angles, so I rarely had to be on my tiptoes for the whole scene.

There’s a lot going on in the film that has to be packed into a very short running time. Is it tough making sure you get across what’s going on with each of the characters when you have so little time to express it?
I think that’s definitely one of the challenges with making a short film. What made it easier on this project was the fact that we rehearsed quite a lot before filming and Hong was also very clear as to what he wanted from us.

Do you have a particular favourite aspect of Spring?
My favourite aspect of Spring is probably during the S&M scene when the camera slows down and all the sounds are heightened. As the viewer it becomes increasingly uncomfortable to watch and the tension created is brilliant.

Did you go to any of the festivals where it played? Were you pleased with the audience reaction?
Unfortunately I wasn’t able to make it Sundance or Berlin but I did make it along to the Lesbian and Gay Film Festival in London, which was great as I got to see a few of the other entries. The film was well received not only here but I’m told it got a very good reception at all the festivals as well

Do you think audiences are missing out, as most people wouldn’t think to spend time searching out and watching short films?
Yeah I do. I also think that it is a lot to do with the fact that people don’t know where to look or even know short films are available to buy.

Thank you Chris.

CHECK OUT THESE RELATED ARCHIVES:

Boys On Film: Chatting to Spring director Hong Khaou about his great short film

May 28, 2012 By Tim Isaac Leave a Comment

If you’ve been following our reviews of the Boys On Film series of short film compilations over the past couple of weeks, you’ll know there’s a lot of great LGBT mini-movies out there. The latest release, Boys On Film: Cruel Britannia, includes a short called Spring, by director Hong Khaou, about a young man having his first experience of kinky power-play sex.

To mark the release of the short on the Cruel Britannia DVD, we were lucky enough to chat to Hong, and got an insight into creating a gay-themed short film in the UK, and the challenges and opportunities that present.

Where did the idea for the film come from?
The idea came from a story I read about someone’s bad sexual experience. I thought it was a great premise for a short film, and instead of making it about a sexual experience gone wrong I wanted to have as a beginning of a journey and show some of the excitements and anxieties of that.

Did you have to do much research into the S&M world?
I did a fair bit of research. The film isn’t really about the world of SM, this was more a metaphor for experiencing something very different for the first time. Such as kissing a guy for the first time, or having sex with a man for the first time. It isn’t necessary a film about the SM scene. That was the canvas to convey how exciting and frightening it is when I first kissed or had sex with a man for example. How all these feelings were colliding, and I had to find a way to compartmentalise it all and running, exhausting my body was a way of doing that.

Was it difficult to find the actors?
It was more difficult to find the young actor, because he really had to expose himself. It’s not the easiest of scenario to be in either, it takes a certain strength to do that.  I meet the potential actors personally to explain the project and gain their trust. Because of the subject matter, I felt it needed a personal approach to show that I wasn’t being gratuitous or exploitative. The older character wasn’t so hard because a lot of the actors really relish in playing a complex character.

The short uses the room made famous by The King’s Speech (and other films). What is it about that location that’s so attractive to filmmakers?
You know I had no idea that room was famous. When we filmed there, The King’s Speech hadn’t come out, and we certainly weren’t trying to jump on their bandwagon. It just looks like the perfect location. The room had such a presence, and we consciously made that be part of the texture of the film, almost like it was a character. The King’s Speech reference has become a bit of a curse, If I knew I certainly wouldn’t have used it.

Another of your films, Summer, was on the first Boys On Film collection. Do you feel you’ve changed as a filmmaker since you made Summer?
There was a 5 years gap between Summer and Spring, I feel I have improved as a filmmaker – I’m more confident as a Director.

Was it easier to get this short made than your earlier one?
Spring, was extremely difficult to get made, it was turned down many times by various funding organisations. It must have been 3 years of endless submissions before we got this funding from Film London.

How do you go about raising funding to make a short film?
The only way I know is to enter for regional funding grants. It would have been too expensive, difficult and labour intensive to raise it via friends and family.

Spring was made with the help of the UK Film Council. Do you think it will be more difficult for people making short films and/or gay themed films now that organisation has been shut down, or do you feel the BFI will continue or improve things?
I think the BFI will continue to fund queer themes films. The organisation has traditionally been supportive of LGBT work.  If anything I think the BFI will be more supportive than the UK Film Council, time will tell.

Do you think the government’s attitude, which seems to prize explicitly commercial filmmaking, is more of a threat?
I think that’s a very dangerous root to go down. In our pursuit to be commercial we are neglecting a core group of filmmakers whose talent and voice might not be perceived as commercial, but that doesn’t mean they are any less important or there’s no audience for it.  Commercial ideas by their very nature have a greater chance of finding funding because by their nature it’s ‘commercial’. It’s those with the unusual ideas or is brave to tackle themes that the private sector deems ‘un-commercial’ that will need the help, support and opportunities. Our obsession to make all things big and commercial will affect a generation of extremely talented filmmakers.

How long did you have to actually shoot Spring?
We shot it in 3 days, and five heart attacks.

How long would you say it was from the first idea to the first time an audience saw the film?
Oh god that must have been at least 4 years, from the initial writing to completion.

What’s the significance of the title?
The title refers to the blossoming of the young man’s life, his sexual journey / discovery / awakening.

Once it was made, how did you ensure your film got out there to as many people as possible, as the world of shorts isn’t always a visible as for feature-length movies? What are the main avenues for shorts to get screened?
Film festivals are the best way to profile a short film. We were very lucky, it got into Sundance and then Berlinale. And because they were big profile festivals, from there other film festivals requested the film. You should submit your short film to the British Council also, they have good advice on how to get your short films out there. They will have a list of festivals to submit your film to. If your film has a LGBT theme, Peccadillo Pictures is also a great place to send it to as they acquire short films. They’re pretty much the daddy of films with an LGBT theme.

Do LGBT film festivals help a filmmaker like yourself?
LGBT film festivals have a very important role to play. And it’s important to attend those festivals too, as that’s where you will make the contacts and connect with other filmmakers and festival programmers. Also because Spring and Summer was shown at these LGBT film festivals, it got picked up for acquisition in France and Germany etc.

Do you wish there were more things like Boys On Film, which work to showcase short films?
It’s definitely good to have other avenues to show your short film. It’s a shame there isn’t more.  Short film is a fantastic format, a great event for a large group of friends to go to – it’s very social. Most filmmakers pretty much start out with a short film.

Thank you Hong.

CHECK OUT THESE RELATED ARCHIVES:
DIRECTORS: Hong Khaou  FILMS: Boys On Film 8: Cruel Britannia  

Crush Of The Day: Douglas Booth

May 28, 2012 By Tim Isaac Leave a Comment

Douglas Booth is one of those people who’s so classically handsome he almost doesn’t look like a real person, however it’s serving him well as the 23-year-old moves from the world of modeling to film. He was first noticed playing Boy George in the TV movie Worried About The Boy, and followed that with another gay role, playing Matt Smith’s lover in Christopher & His Kind. He’s also been seen in the mini-series Pillars Of The Earth, a TV version of Great Expectations (as Pip), and will hit cinemas this Friday opposite Miley Cyrus in LOL.

To celebrate that, we thought we’d gather together some of his prettiest pictures and crush all over them, so enjoy! [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Douglas Booth  

Crush Of The Day: Chace Crawford

May 23, 2012 By Tim Isaac Leave a Comment

If nothing else, there are quite a few hot guys in What To Expect When You’re Expecting. On Monday our Crush Of The Day on Monday was Matthew Morrison, and now it’s his co-star, Chace Crawford’s turn.

To be honest, Gossip Girl’s Crawford is our crush most days as he’s so good looking it’s almost unfair. As well as What To Expect and Gossip Girl, he’s appeared in the likes of The Covenant and Twelve, but more important he’s had occasion to get his shirt off a fair few times, I’m sure is purely for our entertainment! Let’s admire his cuteness with the images below. [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Chace Crawford  

Crush Of The Day: Matthew Morrison

May 21, 2012 By Tim Isaac Leave a Comment

Glee star Matthew Morrison hits cinemas on Friday in What To Expect When You’re Expecting, which seemed like a good excuse to us to gather some hot pics of the actor together and drool over them. While he only gets a little bit sexy as Will Schuester, he’s never been averse to showing a bit of skin, especially when he was a Broadway star, raising funds for charity. [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Matthew Morrison  

Crush Of The Day: Secret Circle’s Chris Zylka

May 18, 2012 By Tim Isaac Leave a Comment

Chris Zylka in The Secret Circle

Chris Zylka in The Secret Circle

Poor old Chris Zylka, he’s out of a job! Last week his TV show, The Secret Circle got canceled, but at least he had a new movie in cinemas, Piranha 3DD. As a result he’s just going to have to console himself by looking in the mirror and appreciating his own hotness. Indeed, Zylka doesn’t strike me as a guy who’s in denial about his own attractiveness or what a good bod he’s got, as he can barely step in front of a camera with his shirt on.

As well as Secret Circle, he’s been seen in Shark Night 3D (where he got his ass out), Kaboom (where he got his cock out) and as mentioned Piranha 3DD. Next up for him is The Amazing Spider-man, where he’ll play school jock and future astronaut Flash Thompson, a role which could potentially get bigger in the already planned sequels.

However for now we can wallow in the many great pics of the blond hottie in various states of undress, including one below where he even gives his butt cheeks a flex! Click on any of the pics to enlarge. Oh, and yes, in the pic above (from the bizarre but very gay Kaboom), he is indeed supposed to be tenting that sheet with a bit of morning excitement. [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Chris Zylka  

Crush Of The Day: Gael Garcia Bernal

May 16, 2012 By Tim Isaac Leave a Comment

Gael Garcia Bernal in Rudo y Cursi

Gael Garcia Bernal in Rudo y Cursi

Gael Garcia Bernal stars in Even The Rain, which is out in the UK this Friday (May 18th, 2012) and it seems to me that’s a good excuse to revel in his cuteness. The Mexican actor first came to international attention with 2001’s Y Tu Mama Tambien, and since then has put in sterling work in the likes of The Motorcycle Diaries, Rudo Y Cursi and A Little Bit Of Heaven.

Luckily for us, he’s not averse to showing off a bit of skin and indeed has appeared fully nude in a few movies! We’ve gathered together a selection of pics that we think shows off just what a hottie he is, so click on any of the images below to enlarge. [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Gael Garcia Bernal  
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