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Big Gay Picture Show

Taking a look at the world of film through gay eyes - news, reviews, trailers, gay film, queer cinema and more

Taking a look at the world of film through gay eyes - news, reviews, trailers, gay film, queer cinema & more

An ‘Exclusively Gay’ Disney Moment Is Coming In The Live-Action Beauty & The Beast

March 1, 2017 By Tim Isaac Leave a Comment

It was only revealed a few hours ago, but already some of the right-wing press are talking about it as if it’s the official end of the world, but there’s going to be an ‘exclusively gay’ moment in a Disney movie. It’s been a long time coming, as despite the company itself and its theme parks being known as extremely gay-friendly, on-screen Disney has a very bad track record with LGBT characters. Indeed, in last year’s GLAAD Studio Responsibility Index, the studio was singled out for not including a single identifiably LGBT character in any of its movies.

While there have been plenty of hints and potential gay subtext in a lot of the studio’s films (enough that some Christian groups are convinced that any Disney film that has a theme suggesting someone should be themselves, is trying to turn the whole world gay), there haven’t been any properly, unequivocally gay moments in any of Disney’s family movies. However, if director Bill Condon is to be believed, that will change with the live-action Beauty & The Beast.

He tells Attitude that the movie will add a little more the story of the arrogant Gaston’s acolyte, Lefou, played by Josh Gad. Condon says, “LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston. He’s confused about what he wants. It’s somebody who’s just realising that he has these feelings. And Josh makes something really subtle and delicious out of it. And that’s what has its payoff at the end, which I don’t want to give away. But it is a nice, exclusively gay moment in a Disney movie.”

There’s no info on exactly what the scene it, but it would suggest that at the end of the film, Lefou might get a bit of romance with a man who isn’t Gaston. It’ll be interesting to see how it’s played, and whether it’s done in a explicit way, or whether Disney will hedge its bets by having it as something that adults will understand while it’ll go over the kids’ heads.

Disney has flirted with gay characters before, but usually in coded or secretive ways. For example, in last year’s Zootropolis, Judy Hopps’ male neighbours may well have been a gay couple. This wasn’t clear from the actual film (they could have been roommates), and no one even thought about it until it was noticed in the credits they had the same surname. The Beauty & The Beast scene certainly seems like it’ll be a step forward, although not exactly the sort of fully realised LGBT storyline we might like to see in a Disney movie.

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Josh Gad  DIRECTORS: Bill Condon  FILMS: Beauty and the Beast (2017)  

Moonlight Takes The Best Picture Oscar, While La La Land Picks Up Six Awards

February 27, 2017 By Tim Isaac Leave a Comment

Well, writers have something new to include when it comes to Oscars biggest gaffes and bloopers – and this one will probably top the list for a very long time. Faye Dunaway read out that La La Land had won the Best Picture Oscar, the producers came up to the stage, and then, partway through the acceptance speeches, they were interrupted to be told, actually no, it was Moonlight that was the big winner.

The mistake came about due to Dunaway and Warren Beatty being handed the wrong envelope, which read ‘Emma Stone – La La Land’. It was presumably was a duplicate of the Best Actress envelope, as Stone did win for that one. Despite a pause and Stone’s name being there, Dunaway decided to read it anyway.

After the mix-up, surprise winner Moonlight went off to gets its Best Picture gong. It’s impressive for a movie few had heard of before its release, and is about the sort of character – young, black, poor and gay – that the Academy Awards usually give short shrift to. However, perhaps thanks to the Academy’s diversity drive this year, where they set out to invite people from groups traditionally under-represented in the Oscar voting pool to become members, it has triumphed. Some has also suggested it perhaps partially redresses the balance after the gay-themed Brokeback Mountain lost out on the Best Picture to the now half-forgotten Crash, despite winning Best Director for Ang Lee. Moonlight now becomes the first gay-themed movie to win the Academy’s biggest prize.

Moonlight also picked up Best Supporting Actor for Mahershala Ali and Best Adapted Screenplay for Barry Jenkins. Ali’s win also marked the first time a Muslim has taken an acting Oscar.

While La La Land had the Best Picture Oscar taken from its hands – literally – which probably tarnished the evening for them, the movie did win more awards than any other film, six in total. That includes Damien Chazelle, who becomes the youngest ever Best Director winner at the age of only 32.

Alongside Stone for Best Actress and Ali for Best Supporting Actor, the other performance gongs went to Casey Affleck who got Best Actor for Manchester By The Sea, and Viola Davis who picked up Best Supporting Actress for Fences. Davis’ win also puts her in the exclusive club of those who’ve won an Oscar, an Emmy and a Tony award.

You can take a look at a full list of winners below. [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Casey Affleck, Emma Stone, Mahershala Ali, Viola Davis  DIRECTORS: Barry Jenkins, Damien Chazelle  FILMS: La La Land, Moonlight  

The First Han Solo Star Wars Story Cast Photo Arrives As Principal Photography Begins

February 21, 2017 By Tim Isaac Leave a Comment

In case anyone was wondering whether Alden Ehrenreich has the right look to be Han Solo, the first cast photo has arrived, which actually shows him to be a better ringer for a young Harrison Ford than you might expect. The pic has arrived to mark the start on principal photography on the currently untitled Han Solo Star Wars Story on February 20th at Pinewood Studios.

According to the press release, ‘The movie will explore the duo¹s adventures before the events of Star Wars: A New Hope, including their early encounters with that other card-playing rogue from a galaxy far, far away, Lando Calrissian. Phil Lord and Christopher Miller are directors co-piloting the movie, with a cast that includes Alden Ehrenreich as Han Solo, Woody Harrelson, Emilia Clarke, Donald Glover as Lando Calrissian, Thandie Newton, and Phoebe Waller-Bridge, with Joonas Suotamo as Chewbacca.

“Watching such inspired people from all over the world, with such unique voices, come together for the sole purpose of making art, is nothing short of miraculous,” Lord and Miller said. “We can’t think of anything funny to say, because we just feel really moved, and really lucky.”‘

The untitled Han Solo Star Wars Story is set for release in May, 2018.

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Alden Ehrenreich, Donald Glover, Emilia Clarke, Woody Harrelson  DIRECTORS: Chris Miller, Phil Lord  FILMS: Solo: A Star Wars Story  

Moonlight (Cinema Review) – The gay-themed multi-Oscar nominee finally reaches the UK

February 16, 2017 By Tim Isaac Leave a Comment

Starring: Alex R. Hibbert, Ashton Sanders, Mahershala Ali, Naomie Harris, Trevante Rhodes
Director: Barry Jenkins
Running Time: 111 mins
Certificate: 15
Release Date: February 17th 2017 (UK)

Oftentimes it’s not too far into the year when you can see which movies are likely to be lining up for the Oscar race. However, Moonlight seemingly came out of nowhere, became far more successful at the US box office than most expected (setting records along the way) and immediately had people suggesting it ought to be up for loads of awards. Even so, many wondered whether it would miss out, simply because it was a small film released by a US distributor that doesn’t have the money for the sort of massive Oscar campaign a studio can mount.

Thankfully it defied the odds, scoring eight Oscar nominations. It’s taken a while, but now the movie is arriving in the UK, and it’s been worth the wait. [Read more…]

BFI Flare London LGBT Film Festival Announces Its Full Lineup

February 15, 2017 By Tim Isaac Leave a Comment

Still from After Louie, starring Alan Cumming and Zachary Booth

Last week it was announced that the annual BFI Flare London LGBT Film Festival would open with the world premiere of the timely Against The Law, about a court case that helped lead to the partial decriminalisation of homosexual sex in the UK 50 years ago. Now the rest of the lineup has been announced for the fest, which runs March 16th-26th. So what’s showing?

Here’s what the BFI has announced:

BFI Flare: London LGBT Film Festival unveiled its 31st edition’s full programme tonight. As announced last week, BFI Flare opens on the 16th March with the World Premiere of Fergus O’Brien’s BBC Production Against the Law at BFI Southbank. The Festival closes with the International Premiere of Jennifer Reeder’s Signature Move at BFI Southbank. One of the most significant and long standing film events in the world’s LGBT calendar, BFI Flare will present over 50 features, more than 100 shorts and a wide range of special events, guest appearances, discussions, workshops, club nights and much more. Tickets go on sale via bfi.org.uk/flare to BFI Patrons, Champions and Members from Monday 20 Feb and General Public on Monday 27 February.

Tricia Tuttle, BFI Deputy Head of Festivals said “If last year’s 30th Anniversary of the Festival was time for reflection on just how far we’ve come, many world events in the 12 months since have reminded us just how vital this event still is. And what a programme we have to offer this year – it’s vibrant, politically engaged, playful, stirring – and with a number of World, International and European Premieres on offer, BFI Flare is absolutely the place to see the best new LGBT cinema first.”

The Centrepiece Screening of the 2017 Festival is the European Premiere of Torrey Pines, a psychedelic stop-motion animation about a child grappling with gender identity and a schizophrenic mother. The film will be accompanied by a live score from director Clyde Petersen’s Queercore band, Your Heart Breaks. The year’s Special Presentations are both World Premieres: the new UK web series, Different for Girls, a smart, sassy, sexy multi-layered lesbian drama, directed by award-winning Festival alumni Campbell X and After Louie in which Alan Cumming plays a New York artist whose life is turned upside down by an encounter with a much younger man.

2017 sees the 50th anniversary of the 1967 Sexual Offences Act which decriminalised private homosexual acts in England and Wales. The Festival marks this anniversary in a number of ways:

  • Fifty Years of Queer History through the Moving Image and Beyond a unique afternoon of illustrated talks, screenings and storytelling with a wide range of historians, archivists and individuals who lived through the period.
  • The aforementioned Against the Law is the profoundly moving true story of Peter Wildeblood and the events that led to the creation of the Wolfenden Committee on sexual law reform.
  • BFI Flare will host the World Premiere of the politically charged Pride? (dir. Ashley Joiner), a provocative and intelligent documentary which details the history of the Pride celebrations.
  • As previously announced, the BFI is also marking the 50th anniversary with a new season of screenings and events in July and August. Gross Indecency will explore the pioneering – and sometimes problematic – depictions of LGBT life in British film and TV in the 50s, 60s and 70s.

In a global climate which sees many LGBT people struggle for basic human rights, BFI Flare also presents a selection of films and events which explore LGBT culture around the world. Highlights:

  • Out of Iraq (dirs. Eva Orner and Chris McKim) is an outstanding documentary about the forbidden relationship of two Iraqi young soldiers at the height of the Iraq war.
  • The Pearl of Africa (dir. Jonny von Wallström) follows the story of Cleopatra Kambugu, the first out transgender woman in Uganda.
  • Sridhar Rangayan, the Director of Kashish Mumbai International Queer Film Festival will attend BFI Flare and take part in an event exploring LGBT film and television culture in India, as part of UK/India 2017.
  • LGBT film gets an international spotlight with the welcome return of fiveFilms4freedom, programmed in partnership with the British Council, which sees five LGBT short films from BFI Flare available online for free throughout the festival. Last year’s films were seen in more than 130 countries worldwide.

The Festival continues to develop new LGBT filmmaking talent with a third year of its Mentorship programme, working alongside BFI NETWORK and BAFTA:

  • BFI NETWORK@FLARE Mentorships in partnership with BAFTA offers emerging lesbian, gay, bisexual and transgender-identified filmmakers the opportunity to develop industry knowledge, professional connections, and a deeper understanding of the landscape for LGBT film. The program is structured around a professional relationship with a senior figure from the industry and engagement in a year of BFI Flare and BFI London Film Festival screenings, and a wide range of filmmaker-focused and social events and talks. Applications are open until 19 February.

The Festival opens with the World Premiere of Against the Law (directed by Fergus O’Brien and starring Daniel Mays, Mark Gatiss and Charlie Creed-Miles), a sensitive adaptation of Peter Wildeblood’s bestselling memoir, telling the story of his affair with a handsome serviceman and the subsequent court case which led to his imprisonment.

The Festival’s Closing Gala on Sunday 26th March is Signature Move, directed by BFI London Film Festival alumni Jennifer Reeder. The comedy drama stars Pakistani-Canadian actress, Fawzia Mirza, Bollywood star Shabana Azmi and Mexican-American Sari Sanchez, and is a cross-cultural romance about a lesbian living in Chicago with her recently widowed mother.

Special Presentations include Clyde Petersen’s return to the festival for the third time with a captivating semi-autobiographical animated musical Torrey Pines, which will feature a live score on the night. Alan Cumming gives a stand-out performance as a troubled survivor of the AIDS epidemic in Vincent Gagliostro’s passionate and inspirational After Louie. BFI Flare also screens the World Premiere of Different for Girls (dir. Campbell X), a sassy, sexy lesbian web series set in West London, starring Rachel Shelley (The L Word) and Guinevere Turner (American Psycho, Go Fish).

The Festival is further divided into sections: HEARTS, BODIES and MINDS. Highlights in the programme include:

HEARTS includes films about love, romance and friendship. Handsome Devil, directed by John Butler and starring Andrew Scott, is a witty Irish charmer which charts the unlikely friendship between an isolated gay teen and his hunky rugby playing roommate. Maura Anderson’s elegant and assured debut Heartland is a powerful examination of love and loss and tells the tale of Lauren, who is forced to return to live in rural Oklahoma following the death of her girlfriend. Dear Dad (dir. Tanuj Bhramar) is an India-set bittersweet father and son road movie. André Techine’s powerful and affecting Being 17 is the story two young boys in their last year of high school, co-written by Celine Sciamma (Tomboy, Girlhood). The pain and heartache of young love is laid bare in Monja Art’s hugely accomplished second feature Seventeen.

BODIES features stories of sex, identity and transformation. The diverse selection of films includes the Interbank LGBT Forum Special Screening of Nathan Adloff’s winning gay teen movie Miles. Park Chan Wook’s ravishing The Handmaiden, inspired by Sarah Waters’ Fingersmith, sees a woman hired as a handmaiden to a Japanese heiress, secretly involved in a plot to defraud her. Marcelo Caetano’s Body Electric follows a handsome young man enjoying casual encounters in contemporary Brazil. Created by an entirely female crew, Below Her Mouth (dir. April Mullen) is a no holds-barred depiction of what happens in the first few days of two women falling in love. Dante Alencastre’s documentary Raising Zoey follows a strong family who demonstrate how open mindedness and love can pave the way for a joyful transition for their 13-year-old Zoey. In FTWTF: Female to What the Fuck (dirs. Katharina Lampert, Cordula Thym), several trans-identified people openly discuss the intricacies of transitioning. Timothy Greenfield Sanders returns to BFI Flare with The Trans List, in which some of the world’s most prominent transpeople, including Caitlin Jenner and Laverne Cox, tell their stories.

MINDS features reflections on art, politics and community. Morgan White chronicles the world’s most recognisable pair of shoes with The Slippers, a documentary about Dorothy’s iconic ruby footwear in The Wizard of Oz, which features appearances from the late Debbie Reynolds and Carrie Fisher. Waiting for B (dir. Paulo Cesar Toldeo) is a kitschy, light-hearted and thoroughly camp portrayal of pop culture, mega fandom and the adoration of Beyoncé.  Mark Kenneth Woods’ Two Soft Things, Two Hard Things sensitively observes the complexities of LGBT life in Canada’s remote Arctic Inuit population. Last Man Standing (dir. Erin Brethauer) is a beautifully made documentary charting the life of eight long-term survivors who live with AIDS. Led by Laverne Cox, Jaqueline Gares’ Free Cece documents the case of Cece McDonald, a transwoman imprisoned in a male facility.

BFI Flare also includes a wide range of events, talks and debates.

SEXIT: What the Fuck is Happening with UK Porn Laws? debates the recent anti-porn laws which disproportionally target queer businesses, performers and portrayals of alternative sexualities. This event will question this new wave of censorship with a panel of filmmakers, organisers and activists on the front line of the debate.

Zorian Clayton, in his first year as a BFI Flare programmer, will present A Romp Through Classic-Camp a lecture exploring the arch queer aesthetic in cinema that has been enjoyed from the margins to the mainstream. This will be complemented by screenings of camp classics; Mommie Dearest, Barbarella, a sing-a-long Gentlemen Prefer Blondes and an exclusive presentation of Can’t Stop the Music at the BFI IMAX.

Celebrated out lesbian film and TV director Jamie Babbit, returns to the Festival to discuss a body of work celebrating strong female-focussed stories. More than 15 years after her glorious and defiant teen romance But I’m a Cheerleader, Babbit continues to bring a delightfully queer eye to features like The Quiet, Itty Bitty Titty Committee and Addicted to Fresno and TV works including United States of Tara, The L Word, Girls and Looking.

Surprising Ancestors: Cinema’s Forgotten Queers sees Brian Robinson uncover hidden queer gems from cinema’s silent era. This illustrated lecture will feature a complete screening of What’s the World Coming To? (dir. Richard Wallace, 1926), a newly restored Hal Roach comedy set 100 years in the future where butch women rule the world and effeminate men stay at home and read fashion magazines.

With Queering Love: Queering Hormones BFI Flare screens a collection of artists’ films which examine love through the filters of biomedical science, culture and politics. These films were funded by Wellcome Trust, delivered by BFI and no.w.here, in collaboration with King’s College London.

In The Queer Frontier: LGBT web series and beyond Emma Smart steps us through the best LGBT work online, revealing just how much of a game-changer the internet has been for creating more varied representation and better accessibility in LGBT media.

BFI Flare joins forces with interactive theatre company Clay & Diamonds for Orlando: The Queer Element, an education event which uses Sally Potter’s film and Virginia Woolf’s text to allow audiences to step inside a world that breaks apart traditional boundaries between science and art and explore notions of gender and sex from the Elizabethans through to 2017.

Following the thrills and spills of the BFI Flare Film Quiz last year, Michael Blyth leads the challenge again, inviting you to put your queer knowledge to the test with the Big Gay Film Quiz

We see the return of the hugely popular BFI Flare Club Nights (Fri 17, Sat 18, Thur 23, Fri 24, Sat 25) at Benugo Lounge and Riverfront with our favourite DJ’s including: Pink Glove, Club Kali, Maricumbia! Sadie Lee and Jonathan Kemp, BBZ and Unskinny Bop for the BFI Flare Closing Night Party.

CHECK OUT THESE RELATED ARCHIVES:

La La Land Takes The Big Prize At The EE BAFTAs, But Moonlight Walks Away Empty Handed

February 13, 2017 By Tim Isaac Leave a Comment

Do you know one of the reasons the Golden Globes and the BAFTAs manage to attract so many star names? It’s because of when they’re held. The Golden Globes come just a few days before AMPAS members have to submit who they think should be nominated for the Oscars, and the BAFTAs come just before the deadline for them to say who they think should win.

However, as the British equivalent of the Oscars, the BAFTAs are a big ceremony in their own right, and the stars descended on London’s Royal Albert Hall to see who would win.

La La Land was the big winner, taking Best Film, Best Director for Damien Chazelle, Best Actress for Emma Stone, as well as a few others. In the other acting categories, Casey Affleck took Best Actor for Manchester by the Sea, Viola Davis was given Best Supporting Actress for Fences, while Dev Patel won Best Supporting Actor for Lion.

Amongst the other awards there was a good spread of films being honoured, including I Daniel Blake, Kubo & The Two Strings, Jackie, Arrival and Hacksaw Ridge. However, notable by its absence was Moonlight, which may have won numerous Best Film accolades at other awards, but got nothing from the BAFTAs. However, the movie was hampered by the fact it’s only just being released in the UK. The other main LGBT hope for the evening, The Pass – which was up for Outstanding British Debut – also lost out.

Take a look at the full list of winners below (winners in bold): [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Casey Affleck, Dev Patel, Emma Stone, Viola Davis  DIRECTORS: Damien Chazelle  FILMS: La La Land, Moonlight  

EE BAFTAs 2017 Red Carpet Arrivals Gallery – Eddie Redmayne, Meryl Streep, Aaron Taylor-Johnson & loads more

February 13, 2017 By Tim Isaac Leave a Comment

W

hile it was so cold I’m expecting to come down with frostbite at any moment, we once more braved the chilly February London weather to cover the Red Carpet arrivals at this year’s EE BAFTAs Film Awards. It was a starry night at the Royal Albert Hall, with royalty there including Prince William and Meryl Streep (and yes, she is royal, I’ve decided).

Alongside them were a bevy of famous names, from Nicole Kidman and JK Rowling, to Andrew Garfield and Jamie Dornan. Add in the likes of Emily Blunt, Emma Stone, Viola Davis, Eddie Redmayne, Aaron Taylor-Johnson, and Russell Tovey and you had quite the lineup.

I have to say I feel particularly sorry for the women, who have to dress up in beautiful and often rather thin and revealing gowns in weather that would make a polar bear shiver. And then there’s expected to smile and be beautiful for the cameras. Fashion designers really need to make more thick winter coats women can wear on the Red Carpet.

Once more I have proven that there’s a talent for taking celebrity photographs, and I don’t have it. But if you’re interested in what was happening on the EE Baftas Red Carpet, take a look below. Click on the images for larger versions.

[Read more…]

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Eva Green & Gemma Arterton Up For Lesbian-Themed Virginia Woolf Movie

February 9, 2017 By Tim Isaac Leave a Comment

It’s been revealed that Eva Green and Gemma Arterton have signed up to star Vita & Virginia, based on the true story of the love affair between Bloomsbury Group luminaries Virginia Woolf and VIta Sackville-West. Chanya Button (Burn, Burn, Burn) is set to direct the movie, working from a script by Dame Eileen Atkins (adapted from her 1992 play).

As reported by THR, the movie will follow the story of how, ‘Virginia Stephen married Leonard Woolf in 1912, and then met socialite and author Vita Sackville-West, wife of Harold Nicolson, in 1922. They began a sexual relationship that lasted nearly a decade, as shown in their various letters and diary entries. After their affair ended, they remained friends until Woolf’s death in 1941. Green will play Woolf while Arterton will play Sackville-West.’

While Woolf is now the more famous of the two, in their heyday Vita was just a well known, refusing to accept ‘a women’s role’ and becoming a prolific poet, novelist, journalist and even garden designer. She was also bisexual and Woolf was just one of her lovers, both male and female. Sackville-West is also renowned as the inspiration for Woolf’s eponymous protagonist in Orlando: A Biopgraphy.

It’s not clear when the film will shoot, but the movie is currently looking for buyers at the Berlin Film Festival.

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Eva Green, Gemma Arterton  DIRECTORS: Chanya Button  FILMS: Vita & Virginia  

Moonlight Leads Gay & Lesbian Entertainment Critics Association Dorian Award Winners

January 26, 2017 By Tim Isaac Leave a Comment

The Gay and Lesbian Entertainment Critics Association Dorian Award winners have been announced, and not too surprisingly, a lot of love has gone to Moonlight. The melancholy gay-themed drama, adapted from Tarell Alvin McCraney’s play about three phases of a man’s life, won five Dorians, including Film of the Year, LGBTQ Film of the Year, Director and Screenplay for Barry Jenkins and Best Film Actor for Mahershala Ali. Trevante Rhodes, who was nominated for Actor alongside Ali, was given the ‘We’re Wilde About You!’ Rising Star Award (named for the group’s patron saint, Oscar Wilde).

The Oscar frontrunner, La La Land, wasn’t completely left out though, winning Visually Striking Film of the Year. Viola Davis, who recently named by GALECA as one of the 10 Best Actress of All Time, earned Best Film Actress Fences. Movies that also scored wins include Christine, the devastating docudrama starring Rebecca Hall as ill-fated ‘70s newswoman Christine Chubbuck; the lesbian-tinged spectacle The Handmaiden; and the Kate Winslet romp The Dressmaker (for Campy Flick of the Year).

In the TV categories, The People v. O.J. Simpson won GALECA’s Drama of the Year, while one of its stars, Sarah Paulson, took TV Actress honors for her turn as prosecutor Marcia Clark. For the third year in a row, Amazon’s Transparent won TV Comedy of the Year, LGBTQ Comedy and TV actor for Jeffrey Tambor.

In a year rampant with voices demanding to be heard, former The Daily Show cast member Samantha Bee’s new TBS hit Full Frontal, a satirical and/or pointed take on current affairs, cut through the static and merited a Dorian Award. GALECA members also saw fit to reward Lin-Manuel Miranda, creator of the increasingly relevant Broadway hit Hamilton, as well as Saturday Night Live star/political satirist Kate McKinnon (twice). The late Carrie Fisher  was posthumously named Wilde Wit of the Year .

Then there’s John Waters, who was recently announced as this year’s GALECA Timeless Star, who offered this statement: “A ‘Timeless Star’? Wow! Does that mean good-old or crazy-new? Either way, I’m thrilled and honored to be called a star no matter which side of the camera I choose to be on.” The creator of Hairspray, Serial Mom, Polyester and Pink Flamingos, joins past honorees Jane Fonda, Sir Ian McKellen, George Takei, Lily Tomlin, Betty White and Cloris Leachman.

GALECA is comprised of over 170 film/TV critics and entertainment journalists from across the US, Canada and the UK, and exists to bolster LGBTQ entertainment journalists as well as remind the world, and our at-risk youth, that ‘the gays’ have a distinct cultural history of helping put great movies and TV shows on everyone’s radar.

Take a look at the full list of Dorian Award winners below: [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
ACTORS: Jeffrey Tambor, Mahershala Ali, Sarah Paulson, Trevante Rhodes, Viola Davis  DIRECTORS: Barry Jenkins  FILMS: La La Land, Moonlight, Transparent  

La La Land Scores Record-Tying 14 Oscar Nominations, While Moonlight Gets Eight

January 24, 2017 By Tim Isaac Leave a Comment

The Oscar nominations are here, and while many expected La La Land to do well, few expected it to tie for the record of most noms ever. It now matches All About Eve and the all-conquering Titanic with 14 nominations. As expected La La Land’s nomination haul included Best Picture, Best Director, Best Actor for Ryan Gosling and Best Actress for Emma Stone, as well as a raft of nods in everything from Best Original Song to Best Cinematography.

It was the only movie that did exceedingly well, with Arrival and Moonlight both scoring eight. It’s a particularly impressive achievement for the gay-themed, African American drama Moonlight, which many thought that despite being deserving, might struggle to get noticed in amongst the studio titles with much larger marketing budgets. It’s haul includes both Best Picture and Best Director nominations, and Best Supporting Actor for Mahershala Ali, Best Adapted Screenplay, Best Editing, Best Cinematography, and Best Original Score.

Hacksaw Ridge, Lion and Manchester by the Sea followed them with six nominations apiece, and Fences and Hell or High Water with four each. It ensures that while La La Land has cemented its position as the frontrunner, there’s still plenty of space for others to win.

There were some surprises though, as while Arrival may have gotten eight nominations, Amy Adams – who many thought was a shoo-in – wasn’t among them. It’s also a bit odd that Suicide Squad (Best Make-up and Hairstyling) and Doctor Strange (Best Visual Effects) scored nominations, the best received superhero movie, Deadpool, got nothing.

Take a look at the full list of nominations below: [Read more…]

CHECK OUT THESE RELATED ARCHIVES:
FILMS: Arrival, Fences, Hacksaw Ridge, La La Land, Lion, Manchester By The Sea, Moonlight  
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Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Non-necessary
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
SAVE & ACCEPT
 

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