There’s been some ire over the weekend after various outlets (including BGPS) reported that the cover for the recently released US DVD of the gay-themed movie Pride doesn’t just omit all reference to homosexuality from the blurb, but also edits the main image on the back cover to completely remove a banner referring to the film’s main group, ‘Lesbians & Gays Support The Miners’.
The changes don’t just seem to have caught the general public by surprise, but also CBS Films, which owns the US rights to the movie and which released the movie in cinemas. However for the DVD release they passed things over to Sony Pictures, who handle their home entertainment releases and who brought the movie out on DVD in the US.
On Sunday, CBS Films took to Twitter, responding to Pink News’ initial story about the changes to the DVD cover, saying, ‘@pinknews we’re looking into this now and our page for the film remains the same as it has for months: http://cbsfilms.com/pride/‘.
It appears Sony Pictures is yet to make any comments. Some are also wondering whether, although CBS Films’ remarks suggest they’ve been taken by surprise, they really had no idea these changes had been made.
The BBC meanwhile quotes Ben Roberts, director of the BFI film fund, which backed Pride, as saying: “I’m not surprised that the US distributors have taken a decision to sell more copies by watering down the gay content. I’m not defending it, it’s wrong and outmoded, but I’m not surprised.
“It’s an unfortunate commercial reality both here and in the US that distributors have to deal with and consider in getting films onto the shop shelf. LGBT material is largely marginalised outside of rare hits like Brokeback Mountain.”
Pride follows a group of lesbians and gay men from London in the 1980s, who decide to raise funds to support striking miners, who are fighting against Margaret Thatcher’s plans to shut down their pits. However they soon discover that many miners, including their national union, don’t want to take money from a bunch of gays, until a small Welsh village agrees to take the cash. This marks the beginning of an unexpected bond between the big city gays and the tiny, rural mining community.
You can take a look at a comparison between the original Pride image and the photoshopped US DVD cover version below. [Read more…]
After 33 Teeth, director Evan Roberts made the acclaimed short Yeah Kowalski!, but its predecessor is that film’s equal, and shares some of its themes, most particularly a young man finding his place in the world in the midst of new feelings and experiences. And also like Yeah Kowalski!, it’s nice that it’s got a good sense of humour.
Jane Got A Gun is unfortunately more intriguing for whether they’ve managed to pull it back from the mess it threatened to become than the movie itself. After ages in development the whole thing nearly collapsed the day before production was due to start when director Lynn Ramsey decided to quit.
Admittedly, the second entrant in our Gay Short Film Showcase is partially an advert for a porn site, but it is also a genuine short film in its own right, taking us into the heady world of gay nightclubs, the pulse of the music and the rush of hooking up.
The film world has a bad reputation for trying to hide aspects of movies it decides will make them more difficult to sell (for example, just see how many trailers for foreign language films feature absolutely no dialogue). It’s certainly affected gay-themed films in the past, but you’d have thought a movie as out and proud as 
One of BGPS’s New Years Resolutions is that with all the fab work filmmakers are doing creating LGBT-themed short films, we ought to be posting far more of them on the site. So we’ve come up with ‘Gay Short Film Showcase’, where we’ll be posting shorts we like that are freely available on the web.
Anyone who’s seen
From its premiere at Cannes, Mark Schultz, has been a vocal supporter of the film Foxcatcher, in which he’s played by Channing Tatum. However over Christmas he massively changed his tune, going on a (since deleted) Twitter rant against both the movie and its director Benett Miller, saying things such as, ‘YOU CROSSED THE LINE MILLER. WE’RE DONE. YOU’RE CAREER IS OVER. YOU THINK I CAN’T DO IT. WATCH ME… YOU THINK I’M GOING TO SIT BACK AND WATCH YOU DESTROY MY NAME AND REPUTATION I SWEAT BLOOD FOR. YOU AINT’ SEEN NOTHING YET DUDE… I CAN TOLERATE A LOT OF THINGS BUT I DON’T TOLERATE DISRESPECT. WE’RE DONE BENNETT… Everything I’ve ever said positive about the movie I take back. I hate it. i hate it. i hate it. I hate it. i hate it. i hate it. I hate it.’